The second largest city of Syria, after Damascus, called Haleb in Arabic, has been a collecting point for the exquisite Kurdish Kilims of Syria which are woven both in the Northeastern and Northwestern regions of the country. Many of these kilims are pieced, double & triple, even quadruple and quintuple. Some of them were used as hangings or interior curtains used to create separate rooms within a house, such as the beautiful Wedding Kilim. Repeating figures such as diamonds, hourglass figures, flowers, combs and earrings abound and the handspun wool fiber is often dyed with cochineal and pomegranate skins.
Aleppo is also home to a significant population of Armenians, some of whom arrived in Syria in the diaspora of the early 20th century, others who had migrated to the region during the Ottoman Empire in the 19th century or earlier. The Armenian carpets of Aleppo are extremely unusual and often very fine. While utilizing Armenian designs these skilled carpet weavers incorporated motifs found in Persian carpets and also other Caucasian designs in pieces of extreme durability and beautifully harmonious, unusual color combinations.
view all AleppoArdebil is a town in Northwestern Iran, formerly in Azerbaijan, near the major carpet center of Tabriz. A famous example of an antique Ardebil carpet can be found in the Victoria & Albert Museum, another in the Los Angeles County Museum of Art. Both are inscribed and were woven on silk warps in the mid 16th century, possibly for use in the shrine dedicated to the Sufi Sheikh Safi. Currently Ardebil remains a weaving center with designs similar to Caucasian carpets and symmetric knotting styles most typically on cotton warps.
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A country of the southern Caucasus, Armenia has been a center for weaving for many centuries. The Armenian population of Syria have woven many fine carpets.
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The Bakhtiari are a tribal confederation of primarily Luri speaking people in Southwest Iran. A nomadic people, it is thought that they are one of some thirty tribal groups who migrated from Syria to Persia in the 14th century. The Bakhtiari weavers produce carpets and kilims predominantly for personal use and only recently have Bakhtiari pieces been woven specifically for commerce. Bakhtiari flatweaves include kilims, saddlebags, mafrouche, saltbags and woven tent bands.
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The Baluch are a nomadic tribe of people inhabiting large areas of northern Afghanistan, Northeastern Iran and Southern Turkmenistan in their most northern reach and toward the south regions of Iran, Afghanistan and Pakistan called Baluchistan. They are prodigious weavers of deep brown, dark red, blue, black, ochre and camel colored carpets with occasional bright touches of orange, green or light blue. The carpets range from extremely loose weave structure to fine and tight, double wefted construction. Selvedge edges are most often wrapped in goat hair. Tree of Life prayer carpets are signature Baluch but often carpets attributed to the Baluch are woven in Khorassan in Northern Iran. Their kilims are woven on horizontal ground looms and many have a weft float brocade structure. Camel and horse trappings, tent decorations and woven bands may include bells, beads and shells.
view all BaluchThe people of the desert, or Badia, the Bedouin are the nomadic sheep, goat and camel herders of Arabia. The Bedouins of the central Syrian Desert weave colorful tent trappings and sturdy ground coverings. Their black goat hair tents are woven in Damascus, Idlib and Hama and pieced together with brightly colored bands. Tent furnishings may be woven of wool, cotton, goat hair or camels hair or any combination thereof. Wool tufts in bright colors adorn many pieces, human hair is sometimes incorporated into the weaving and human figures are sometimes depicted.
view all BedouinCarpets woven in West Turkmenistan in the area of Bokhara by Ersari Turcoman. Some have designs reminiscent of Ikat and a wide variety of bold geometric figures as well as the boteh motif and the Herati pattern.
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Carpets named for the town of Bidjar in Northwestern Iran are typically of fine, double or triple wefted construction and are woven by the Kurds who inhabit the many villages in the surrounding region. Bidjar carpets of the 19th and early 20th century are celebrated as some of the finest and most beautiful and durable carpets of their time. Their designs are curvilinear, arabesque and flowery and the dyes and wool are lustrous
Bidjar Kilims are, along with Senneh, among the most desirable of Oriental flatweaves. Often in stunning vegetal dyed colors, their construction is typically slit weave tapestry technique.
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Historically Bokhara has been a destination of pilgrims and a thriving market town. However, though Bokhara is the name of a city in present day Uzbekistan and was famous in the 19th century as a carpet weaving center, today the name Bokhara refers not to a place but rather to many carpets which use the motif of the Turcoman Gul. The Yomut, Ersari, Chodor, Tekke, Saryk, Salor, Arabatchi and Beshire are the tribal names of those who weave the carpets often referred to as Bokhara. The Gul which they bear in common varies according to tribe, region and age. Possibly the Gul is a flower, though typically it has an octagonal shape and some believe the Gul is a totem. The wool for these carpets is often dyed with madder giving a spectrum from brick red to fox brown punctuated with black, white, orange and blue.
view all BokharaBorchalou is a region of Azerbaijan reaching into West Iran as far as Hamadan. Carpets attributed to the region are thick piled, dense, often floral in design and rich in color. Long lasting carpets, Borchalou are often knotted on Cotton warps.
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A mountainous region encompassing the land between the Caspian Sea and the Black Sea, the Caucasus, covering modern day Georgia, Daghestan, Armenia, the disputed region of Ngorno Karabagh and Azerbaijan, has been the origin of some of the finest and most sought after carpet weaving of the 19th and 20th century. The Azeri Turks, Kurds, Armenians and Daghestanis are the primary weavers of both carpets and kilims.
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The Republic of Daghestan, meaning land of mountains, is situated on the Western border of the Caspian Sea in the northern Caucasus. To the south lie Azerbaijan and Georgia. Derabend and the region of Lesghistan are well known as carpet centers within Daghestan. Kilims are woven by the Kumyks and the Lesghis, the most well known of these being the soumaks. Soumak technique is a double weft wrapping technique. These very beautiful, sturdy and colorful, geometric pieces have been seen in the market since the fall of the Soviet Union. Felt carpets are also produced in the region. During the 19th century many beautiful prayer rugs came from Daghestan. These however have become quite rare.
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Predominantly Kilims woven by the Syrian Bedouin in the region of Deir Ezzor on the southern Euphrates near the border of Iraq. These kilims are woven of a sturdy wool and are dyed with combinations of vegetal and aniline dyes. Their geometric patterns are interspersed with figures and animals.
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The Druse are a religious minority inhabiting regions of Southern Lebanon, Syria and the occupied Golan Heights.
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Esfahan is a city of west central Iran and was an important weaving center during the 17th and 18th centuries. The city regained its cultural prominence again after World War I and has seen a resurgence in the excellence of its carpet production in the latter half of the 20th century. Esfahan carpets are noted for the fine designs, curvilinear, pictorial, intricate and floral. Some fine Esfahan carpets are woven on Silk warps or are entirely woven of silk.
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Carpets coming from this mountain town in Western Syria are dyed a deep red and blue with pomegranate and true indigo.
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Feraghan carpets of the late 19th and early 20th century are often room sized pieces. They are most often vegetable dyed having a muted color palette of all over Herati design making them elegant and desirable. They are sturdy pieces predominantly woven on cotton foundations with a double weft.
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The province of Hamadan, with a capital city of the same name, stretches southeast from Kurdistan toward central Iran. Largely populated by Kurds it has a longstanding tradition of carpet production and many towns in the region are carpet producing to this day. Most Hamadan carpets have low pile, are single wefted and built on cotton foundations. The designs of Hamadan carpets are small geometric repeats often with very subtle gradations in tone.
Malayer and Feraghan too are Hamadan carpets and may be finer than the typical Hamadan. They vary in knotting style and share many of the same designs.
The attribution of carpets to certain tribes, peoples and /or geographic regions is a complex subject. Weavers have, since the beginning, traded patterns and designs as well as experimented with knotting techniques and materials. However it is also true that many patterns have been handed down for generations and the importance of preserving a certain tribal style and technique of weaving cannot be underestimated.
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There are many variations of the Herati pattern, an all-over repeat pattern which resembles a fish (Mahi) or the pattern of a lanceolate leaf around the rosette of a flower. It is thought the pattern originated in the city of Herat in Western Afghanistan.
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A town in Western Iran near the Azerbaijan border west of Tabriz, Heriz has been a prolific weaving center for centuries. Like many Azerbaijan carpets, those attributed to Heriz are largely woven on cotton foundations with double cotton weft. Although Heriz designs are typically large and geometric there are also examples of fine all over designs and Heriz woven on Silk foundations with curvilinear patterns.
view all HerizOne of the villages of the Hamadan province where thick carpets of all over Herati design are woven.
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A flatwoven piece in which several narrow strips are pieced together to form a larger piece. The strips are often warp faced or warp patterned. This technique is used by the Uzbek and also by the Shahsevan of Iran to create furnishings such as bed covers and light weight blankets.
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A pattern name of a Hamadan or Malayer meaning "hand of the bride", similar to Herati.
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The mountainous area of the southern Caucasus which was known as the rug producing capital of Shusha in the 19th century. Beautiful pieces in a great variety of strongly geometric designs such as Eagle Kazak, Cloudband and Sunburst were woven in Vegetable dyed wools making them mellow and valuable today. Armenian inscriptions are sometimes seen on these pieces and the region of Ngorno-Karabagh has been a disputed borderland between Armenia and Azerbaijan since 1990. The vast majority of weavers in the region however are Kurdish.
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Kashan is a city of Northwestern Iran famous for the high quality of its carpets woven in the Safavid period. From the late 18th century carpet production declined until late in the 19th century. Kashan carpets are typically curvilinear in design and often have a pendant or diamond type medallion in the center with floral and arabesque design scrolling outwards. Carpets are woven on a cotton foundation with double cotton weft. Colors are richly saturated and often a deep red ground predominates. Some silk carpets are woven in Kashan as natural silk is produced in this region.
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Kazak is perhaps the most famous weaving area of the Caucasus. The term Kazak refers to many of the carpets which include Borchelou and Lori Pambak, Pinwheel, Shield and Sevan. Gendje and Shirvan lie to the east and Karabagh to the South in this region densely populated with weaving centers which have been supplying to the west since the 19th century. The Caucasus Mountain region is inhabited by Azeri Turks, Armenians, Georgians and Russians. While most inhabitants live in the valleys the mountain peaks make the dividers between areas of tribal control. The Kazaks are a people descended form the Mongols who entered the area of the Caucasus under the rule of Genghis Khan. These descendants split from the Mongol horde and became known as Kazaks. The city of Kazak is in modern day Azerbaijan near both the Armenian and Georgian borders. It seems that many rugs called Kazak were knotted by Armenians, highly skilled weavers, using designs introduced through the Kazak Khanate.
view all KazakThe Khamseh is a tribal confederation in southern Iran consisting of five tribes of Arab, Lori and Turkic origin. They are the Ainalu, the Baharlu, the Baseri, the Nafar and the Arab. The carpets woven by the Khamseh are often confused with those of the Qashai as they bear considerable similarity though the Qashqai are generally woven of a finer wool. However Khamseh pieces are often dyed in bright and clear colors and the patterns which include the motifs of animals, often chickens and other birds, vases, flowers and roundels of protection are lively and greatly admired.
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A province of Northeastern Iran, historically including what now lies in southern Turkestan and northwestern Afghanistan, Khorassan means the land of the rising sun. Situated on the ancient Silk Road the region is geographically and culturally a gateway between Persian and Turkic culture. During the 16th and 17th centuries Khorassan was a leading carpet center. Today Mashad, Persias holiest city, is the weaving center of this region. Northern Khorassan is one of the major wool producing areas of Iran. Many Kurdish rugs are woven here and the Kurds of Khorassan are thought to be the remnants of those tribes who migrated from Karabagh in the Caucasus. Also many Baluch carpets and kilims are marketed here. Today rugs from this region utilize both weft wrapping and weft patterning techniques.
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Kurdish carpets and Kilims come from Northern Syria and Iraq, Southern Turkey, Armenia, Azerbaijan and Iran, as Kurdistan, the ancient homeland of the Kurdish peoples, has been assimilated into these five regions since the end of World War I. There are four major tribal clans of the Kurdish, many smaller tribal divisions which date back centuries and many Kurdish dialects. Carpet weaving is practiced in almost all of the the hundreds of Kurdish villages scattered through the region and many of the finest carpets and rugs coming from Senneh, Bidjar, and even Shiraz are Kurdish in origin.
view all KurdishA Turkic tribe of the northern Caucasus, Lesghistan is in Daghestan. Typical of the carpets and kilims which the Lesghi weave is the eight pointed star which is often found in Shahsevan flatweaves.
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The Luri are a tribe of ancient origin living in southwest Iran, south of Hamadan and Kurdistan. Many Luri are to this day pastoral nomads living in black goat hair tents. Both sheeps wool and goat hair are used as foundations for their weavings which are characterized by bold designs and strong colors.
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Meaning fish in Persian, the Mahi is a pattern of a lanceolate leaf used in Hamadan and Tabriz carpets which resembles a fish. It is a repeating pattern and symbolizes good fortune.
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Malayer is a town in northwest Iran. Carpets woven in this area of Hamadan tend to be finer than most Hamadans. Many carpets use all over Herati pattern and diamond geometric patterns in vegetable dyed hues.
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The holiest city in Persia, Mashad lies in the northeast of Iran. Carpets coming from this area are typically room size and of very sturdy construction. Double wefted on cotton warps, these carpets often feature central medallions and highly dense pattern repeats of floral design. Cochineal is used for dying.
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In Central Iran, Nain is a contemporary weaving center specializing in carpets with designs similar to Esfahan. Very fine wool carpets on cotton foundations are woven with silk outlines of the arabesque designs.
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Prayer carpets are woven all over the Muslim world. Having a prayer niche or mihrab is their most defining feature. They also may have woven in columns or arches, hanging lamps, the hand of Fatima, or the tree of life design.
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The Qalamoun is the mountainous region of western Syria. Charming carpets of loose construction woven on wool foundations were produced there in the late 19th and early 20th century. Their colors are bold and their designs often include figures, household objects, animals and flowers. Strongly geometric pieces in purples and deep reds, dyed with cochineal are also found.
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The Qashqai are an Azeri tribe of pastoral nomads living int he region of Shiraz in the province of Fars in southern Iran. As migratory herders they utilize both sheeps wool and goat hair in their carpets which are covered with designs, geometric birds and flowers, protection symbols, stylized tree of life, multiple borders and diamond shaped medallions. Their colors are often rich and jewel like, vegetable dyed.
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A city of Khorassan in northeastern Iran inhabited by Kurdish weavers of flat weaves. These rugs are woven in a variety of techniques such as soumak, slit weave tapestry and weft float brocade. Quchan rugs can be very fine and woven of good wool as the area of Khorassan is the supplier of the best and softest wool in Iran. Kurdish designs, sometimes related to the Kurdish designs of the Caucasus, sometimes related to Turkoman designs are woven in the soft palette of vetable dyed wools.
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Salor is a tribal name of one of the oldest tribes of the Ohguz Federation of Turcoman tribes. The carpets attributed to the Salor or Salyr are asymmetrically knotted on wool warps often with large guls. They are knotted from high quality lustrous wools.
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The Saryk are one of the 23 Turkmen tribes of the Oghuz Federation, a Turkoman tribe of southern Turkestan. Saryk carpets are vegetal dyed, predominately browns & reds, using asymmetrical knots. The Gul or cloud band, flower in Persian and the tree of life are typical designs. The gul is often both hexagonal and octagonal knotted in combinations of dark red and mauve, brown and purplish brown. Many household and tent furnishings of beautiful and practical use such as door surrounds, storage bags, tent bands and horse covers were woven by the Saryk and the other Turkoman tribes of the region.
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Senneh, the capital of Persian Kurdistan, is one of the most famous carpet making centers the world has known. Today known as Sanandaj, Senneh is famous for the production of both carpets and kilims. Today cotton is often used for the foundation although in the 19th century extremely fine carpets were woven on silk warps. Senneh carpets today are rare. Senneh kilims often have floral patterns or intricate woven designs resembling watermarks or moire.
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A confederation of tribes of Turkic, Kurdish, Tadjic and Georgian origin in Northwest Iran. The Shahsevan produce flatwoven rugs and mafrash, or furnishings, such as storage bags, saddle bags, animal trappings and decorative pieces. The designs are large, colorful geometric repeat including stripes, diamonds and stars. Often two or more strips of weaving are pieced together to form larger rugs.
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The founder of the Safavid dynasty in Iran, Sheikh Safi is the name given to a design of Tabriz carpet featuring a large central medallion of multiple floral borders.
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Shiraz is the capital city of the province of Fars, from which the word Persia derives, in southwestern Iran. Today it is a dominant market city and historically its roots extend back to neolithic times. The carpets which come to market as Shiraz are woven and knotted by weavers from the tribes of predominantly Kurdish or Turkic root which live in the region near the city. The most prominent of these are the Qashqai. While the Qashqai weave distinctly tribal rugs for their own use some of the Shiraz seen today are village rugs, woven specifically for commerce. There are also carpets called Shiraz from groups formerly in the Khamseh confederation as well as Lori, Afshar, Bakhtiari and even Baluch.
These rugs are beautifully geometric and most often full of randomly placed birds, animals and plants. Their field grounds are fully worked, covered in balanced and asymmetrical patterns with barely an inch left uncovered. Often there are as many as ten borders which add a great beauty and elegance to these very lively works of art. One can never tire looking at a good Shiraz as there are always new patterns emerging into view.
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Shirvan was a khanate of the east central Caucasus, today encompassing an area of Azerbaijan north of Baku to the Daghestan border. Both carpets and flatweaves were produced in abundance here during the 19th and early 20th century. Early examples are very fine and intricate and later examples show a simplification of design which was perhaps the result of increased demand. Shirvan designs are bold and colorful including geometric animals and birds, vining borders, boteh repeats and a rich variety of totemic symbols.
view all ShirvanComing from the Arabic meaning the setting for food to be served, a Soufre is a flatwoven rectangular or square cloth which is used as a table upon which food is served.
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A double weft wrapping technique, the name Soumak perhaps derives from the town of Shemakha in the southern Caucasus. Daghestanis, Kurds and the Shasevan all use soumak technique to make sturdy rugs, bags, and animal trappings.
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It is not well known that Syrians too are among the weavers of Oriental carpets as the majority of carpets seen in the West have been from Persia and the Caucasus. However Syrian carpets can be found and are extremely beautiful. They often borrow the designs of Persian carpets. Many have been knotted by the once-large Armenian population of Aleppo. Some have come from the Qalamoun mountain range to the West of the country and some from the Hauran, a desert region near the border with Palestine.
view all SyrianThe vast majority of Syrian Kurdish pieces are kilims. Dyed with pomegranate skins, sometimes using linen in addition to cotton or wool, the Syrian Kurdish pieces are bright, colorful. Covered with symbols of life one sometimes sees flowers, the "waist" of a girl, hair combs, earrings, diamond shaped protection symbols. They are no longer being made and are an exquisite and meaningful memory of a once vibrant culture.
view all Syrian KurdishTabriz is the most illustrious weaving centre in northwestern Persia and is the second largest city in Iran. Situated on the ancient Silk Road it has been a center of the Persian carpet trade for perhaps thousands of years. It was a major city in the Seljuk Empire of the 11th century and in the 13th century became the capital of the ruling Mongol Empire.
As Tabriz lies in the border region of Azerbaijan, the weavers of Tabriz have for centuries incorporated design motifs both from the Caucasus region as well as the Persian motifs from other weaving tribes and towns in Iran. Tabriz carpets are typically knotted on cotton warps using the double knot technique which makes for an extremely sturdy, thick carpet. Cut low, the pile on these carpets gives a matt look and a great number of colors are used in creating the floral, arabesque designs which abound. This incredible symphony of colors is one of the elements which give Tabriz carpets great appeal.
Tabriz carpets can be filled with dense floral motifs, large palmettes, vases and animals (primarily deer and birds), and less often with geometric repeats. One exquisite substyle is called Mahi, the Persian word for fish, as the Tabriz Mahi is covered with an all over repeat of very small fish, almost a paisley pattern, scattered neatly throughout the carpet surrounded by tiny flowers and border details. The magic of a Mahi is in the subtle color ranges of each piece. Attesting to their pride in producing fine carpets, the master-weavers of Tabriz often weave their signature into a part of the carpet's border.
view all TabrizKilims coming from Palmyra in the central Syrian desert take their name from the Arabic Tadmor. These colorful kilims often incorporating camels wool, cotton, goats hair and sheeps wool are woven by the Syrian Bedouin as tent furnishings and animal trappings.
view all TadmoriA town of eastern Iran near the Turkmenistan border where Baluch weavers produce carpets, and prayer carpets.
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A town of eastern Iran near the Turkmenistan border where Baluch weavers produce carpets, and prayer carpets.
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Turkmen Rugs and Carpets come from Turkestan, an area stretching East of the Caspian Sea to the Pamir Mountains and even as far as the Tien Shan Mountains of Sinkiang, the westernmost province of China. The Aral Sea forms the northernmost border of this region which encompasses primarily Turkmenistan and includes also portions of Uzbekistan and Tadjikistan.
Turkmen, or Turcoman, are Turkic speaking Muslim who, up until the early 20th century, had a complex tribal structure, being divided into tribes, subtribes and clans, which changed over the years by alliance for political, economic and spiritual reasons.
Turkmen carpets have in the past been called Afghan and Bukhara. Include also the names Besire, Tekke, Chodor, Saryk, Ersari, Yomut, Arabatchi and Salor and you begin to sense the complex intermingling of ethnicity and geography, language and politics from which the carpet weavers come.
Turkmen carpets and rugs are geometric in design and were originally woven or knotted as tent furnishings both practical and decorative. Their deep red ground comes from Madder, a vegetal dye which can vary from deep solid red to almost purple or warm brown depending on the mordant used. One of the design motifs held in common is the gul, a roundel, cloud collar or flower.
view all TurkmenA mixed Baluch and Tiemuri tribe of Eastern Iran or Southern Turkmenistan. Their carpets have a rectangular repeat and are often fine in deep red and dark blue black. The quality of wool is very high in these carpets as this is an extremely fine wool producing region.
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A Turkoman tribe living East of the Caspian Sea, the Yomut were prolific weavers of carpets and tent trappings. Carpets are typically covered with the gul design.
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Zaboul is a remote Iranian town near the Afghan border. Carpets are woven in lively colors, often bright greens, orange and purplish blue. Vases and floral designs are occasionally found in Zaboul carpets as well as small repeating figures and architectural arches and columns.
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